Sabon Font Family

In the early 1960s, the German masterprinters’ association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design the most faithful version of Claude Garamond’s serene and classical roman yet to be cut. The boldface and particularly the italic are limited by the twin requirements of Linotype and Monotype hot metal machines. Bitstream’s Cursive is a return to the form of one of Garamond’s late italics, recently identified. Punches and matrices for the romans survive at the Plantin-Moretus Museum. The name refers to Jacques Sabon, who introduced Garamond’s romans to Frankfurt, although the typefaces that Sabon himself cut towards the end of the sixteenth century have a faintly awkward style of their own.

OTF | 8 Fonts | JPEG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/linotype/sabon-cyrillic/

In the early 1960s, the German Master Printers’ Association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design a new version of Claude Garamond’s serene and classical Roman. Its bold, and particularly its italic styles are limited by the requirements of Linotype casting machines, forcing the character widths of a given letter to match between styles, giving the italic its characteristic narrow f. The family’s name is taken from Jacques Sabon, who introduced Garamond’s Romans to Frankfurt. Sabon has long been a favorite of typographers for setting book text, due to its smooth texture , and in large part because Tschichold’s book typography remains world famous.

http://www.myfonts.com/fonts/adobe/sabon/

A descendant of the types of Claude Garamond, Sabon was designed by Jan Tschichold in 1964 and jointly released by Stempel, Linotype, and Monotype foundries. The roman design is based on a Garamond specimen printed by Konrad F. Berner, who was married to the widow of another printer, Jacques Sabon. The italic design is based on types by Robert Granjon, a contemporary of Garamond?'s. This elegant, highly readable typeface is excellent for sophisticated uses ranging from book design to corporate identity.

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http://www.myfonts.com/fonts/linotype/sabon-next/

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https://www.myfonts.com/collections/font-thography-font-alcode

Thography font is a new decorative typeface. This font has a very beautiful and elegant opentype feature, so that it can make users happy and can increase creativity or productivity, you can use this font very easily.

Font Blade Font

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